Even though Jean-Luc Godard turned 86 this past Saturday, cinema scholar David Bordwell would no doubt still call him “the youngest filmmaker at work today” — as he did just two years ago, in an essay on Godard’s most recent picture Goodbye to Language. Over his more than 65-year-long career, which began in film criticism and arguably never left it, the man who directed the likes of Breathless, Alphaville, and Weekend in his very first decade of filmmaking has kept his work intellectually and aesthetically innovative when most movies seem resigned, and even content, to explore the same trampled patch of cinema’s creative space over and over again.

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